From its establishment in 1936, Izmir Culture Park (ICP) became a historical marker of Turkish modernity, with its leisure and entertainment spaces celebrating modern values and conditions, while functioning as a medium for adapting them. Casinos, entertainment spaces with live music and food service, were a significant component of the park’s entertainment life from the very beginning. They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space -the matinee- for women. This study builds on existing histories of ICP by investigating and introducing new layers of meaning on women’s spatiality. It contributes to gender studies by analyzing how matinees encouraged women to participate in leisure activities, how women experienced this public space, and how they transformed it through their practices in living out their modernity. Women transformed the abstract space of ICP casinos into lived space. Hatta bu uygulamaların arasına geçenlerde Instagram’da katıldı ve 1 Milyar Kulübü adı verilen bir indirme casino listesine dahil oldu.
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Space casino. From its establishment in 1936, Izmir Culture Park (ICP) became a historical marker of Turkish modernity, with its leisure and entertainment spaces celebrating modern values and conditions, while functioning as a medium for adapting them. Casinos, entertainment spaces with live music and food service, were a significant component of the park’s entertainment life from the very beginning. They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space -the matinee- for women. This study builds on existing histories of ICP by investigating and introducing new layers of meaning on women’s spatiality. It contributes to gender studies by analyzing how matinees encouraged women to participate in leisure activities, how women experienced this public space, and how they transformed it through their practices in living out their modernity. Ferah 20 gb.
Duy Beni dizisinin yeni bölümü 13 Ekim Perşembe günü ekranlara geldi. Yeni bölümü merakla beklenen dizinin fragmanı da yayınlandı. Duy Beni 16. Bölüm Fragmanı. Duy Beni , Süreç Film'in Star TV için hazırladığı gençlik ve macera türündeki televizyon dizisidir. Başrollerini Berk Hakman, Ege Kökenli, Rabia Soytürk, Caner Topçu ve Durul Bazan ve Murat Daltaban üstlenmektedir. Dizinin senaryosunu Makbule Kosif'in kalame aldığı dizinin yönetmenliğini ise Ali Balcı üstlenmektedir. Selin Bender (Berk Hakman), hem kişisel hem de meslek hayatında her zaman iyinin ve doğrunun yanında duran, öğrencilerini de bu yönde geliştirmeyi amaçlayan idealist bir insandır. Ekim gibi o da çok geçmeden öğrencilerin büyük bir sırrı sakladığından emin olur. Senaryosu Makbule Kosif tarafından kaleme alınan, Berk Hakman, Rabia Soytürk, Caner Topçu, Durul Bazan, Murat Daltaban, Helin Kandemir, Burak Can, Sümeyye Aydoğan, Feride Çetin, Aytaç Uşun, Meltem Akçöl, Alper Atak, Bedia Ener, Hamdi Alp, Utku Coşkun, Taha Bora Elkoca, Gökçe Güneş Doğrusöz, Jasmin Berkiş, Yeliz Akay, Cemre Özşişman, Dilara Sümbül, Beste Kaptanoğlu ,İbrahim Yıldız gibi başarılı oyuncuları kadrosunda buluşturan Duy Beni dizisinin son bölüm fragmanı ve dizi hakkında merak edilen tüm detaylar internet sitemizde. Küçük oyun alanları mimarlık mekan.By pushing the 1970s social boundaries in Turkey, women both used and transformed the spaces of ICP as they took the opportunity to enjoy their freedom, albeit within the limited space of the casino and the limited time of the matinee. This study deeply investigates this socio-spatial transformation, within a tripartite theoretical structure of memory, gender and Lefebvrian spatial theories, in order to convey ‘herstory’1.. Paris Barış Konferansı’nda Suriye, Lübnan, Antep ve Maraş casino Fransızlar’a bırakılmıştır. casino BÖLÜM ÖZETİ.
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